I got a little 'arty' with the panel layouts for this, but not as arty as I'd hope an actual artist would render this. As will a lot of the 'talky' stuff I write, as long as it's clear who is talking the art can focus on whatever it likes. Hence the dog in the foreground of two panels, and all the one-picture-across-multiple-panels stuff. The script intentionally makes no direction how these pages should be drawn.
Page TWO
Sal(ly) talking to the newspaper woman, Margaret in Margaret's house.
2/1
When did the paper close?
Mid-Eightes.
2/2
I used to write for it
Oh?
2/3
Had to do something with all that education I got at Uni. Shame it closed.
2/4
I could spend weeks looking through this.
Years.
2/5
Is it okay if I send someone else over to look through this?
Sure. Who you have in mind.
2/6
There's a new cop in town, Margaret. And he's about to learn that real police work is unbelievably boring.
Continued soon ...
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